METHODOLOGY FOR ADAPTING NATIONAL ORNAMENT COMPOSITIONS TO DIGITAL INDUSTRIAL MANUFACTURING

Main Article Content

Egamnazarova, S.X.

Abstract

This article proposes a three-stage methodology for adapting national ornament compositions (girih, islimiy, gul families) to the requirements of digitally controlled manufacturing equipment — CNC milling, laser and plasma cutting, and additive 3D printing. The methodology first formalizes the ornament geometry at the level of its symmetry group, then simplifies it according to manufacturing constraints such as kerf width, minimum radius, and material thickness (tolerance-aware simplification), and finally exports the result into a machine-readable vector/G-code format. The methodology was implemented in software on the NaqshAI platform and tested at the geometric level on patterns belonging to the p4m and p6m symmetry groups. The analysis shows that inserting a dedicated adaptation stage between the geometric model and the manufacturing implementation reduces their mutual dependency and eases the transfer of the methodology across different equipment.

Downloads

Download data is not yet available.

Article Details

Section

Light Industry Sectors

Author Biography

Egamnazarova, S.X., Kokand State University

PhD student, Kokand State University, Kokand, Uzbekistan

How to Cite

Egamnazarova, S. X. (2026). METHODOLOGY FOR ADAPTING NATIONAL ORNAMENT COMPOSITIONS TO DIGITAL INDUSTRIAL MANUFACTURING. Digital Technologies in Industry, 4(3-1). https://doi.org/10.70769/3030-3214.SRT.4.3-1.2026.24

References

[1] Grünbaum, B., & Shephard, G. C. (1987). Tilings and patterns. W. H. Freeman and Company.

[2] Abas, S. J., & Salman, A. S. (1995). Symmetries of Islamic geometrical patterns. World Scientific. DOI: https://doi.org/10.1142/2301

[3] Lu, P. J., & Steinhardt, P. J. (2007). Decagonal and quasi-crystalline tilings in medieval Islamic architecture. Science, 315(5815), 1106–1110. https://doi.org/10.1126/science.1135491 DOI: https://doi.org/10.1126/science.1135491

[4] Broug, E. (2013). Islamic geometric design. Thames & Hudson.

[5] Cenani, S., & Cagdas, G. (2006). Shape grammar of geometric Islamic ornaments. Proceedings of the 24th eCAADe Conference, 289–297. https://doi.org/10.52842/conf.ecaade.2006.290 DOI: https://doi.org/10.52842/conf.ecaade.2006.290

[6] Kaplan, C. S., & Salesin, D. H. (2004). Islamic star patterns in absolute geometry. ACM Transactions on Graphics, 23(2), 97–119. https://doi.org/10.1145/990002.990003 DOI: https://doi.org/10.1145/990002.990003

[7] Refalian, G., Coloma, E., & Moya, J. N. (2022). Formal grammar methodology for digital visualization of Islamic geometric patterns. International Journal of Architectural Computing, 20(2), 297–315. https://doi.org/10.1177/14780771211039079 DOI: https://doi.org/10.1177/14780771211039079

[8] Almerbati, N., et al. (2016). From manual to hybrid, parametric Mashrabiya: Digital workflow for the re-envisioning and conservation of Eastern architectural screens and the engagement of digital tectonics. The International Journal of Architectonic, Spatial, and Environmental Design, 10(2), 1–15. DOI: https://doi.org/10.18848/2325-1662/CGP/v10i02/29-39

[9] Rashdan, W. (2025). Heritage-aware generative AI workflow for Islamic geometry in interiors. Heritage, 8(11), 486. https://doi.org/10.3390/heritage8110486 DOI: https://doi.org/10.3390/heritage8110486

[10] Mahrle, A., Borkmann, M., & Pfohl, P. (2021). Factorial analysis of fiber laser fusion cutting of AISI 304 stainless steel: Evaluation of effects on process performance, kerf geometry and cut edge roughness. Materials, 14(10), 2669. https://doi.org/10.3390/ma14102669 DOI: https://doi.org/10.3390/ma14102669

[11] Egamnazarova, S. (2026). Milliy hunarmandchilik naqshlari kompozitsiyalarini shakllantirish metodikasi. Xalqaro ilmiy-amaliy konferensiya materiallari.

Similar Articles

You may also start an advanced similarity search for this article.